By Robert W. Hamblin, Charles Peek
Sometimes known as the yank Shakespeare, William Faulkner is understood for delivering poignant and actual renderings of the human , making a global of colourful characters in his fictional Yoknapatawpha County, and writing in a mode that's either special and critical. notwithstanding he's referred to as a Southern author, his allure transcends local or even nationwide obstacles. due to the fact that successful the Nobel Prize for Literature in 1950, he has been the topic of greater than 5,000 scholarly books and articles. educational curiosity in his profession has been matched by means of renowned acclaim, with a few of his works tailored for the cinema. This reference is an authoritative advisor to Faulkner's lifestyles, literature, and legacy.
The encyclopedia comprises approximately 500 alphabetically prepared entries for issues concerning Faulkner and his international. incorporated are entries for his works and significant characters and subject matters, in addition to the literary and cultural contexts during which his texts have been conceived, written, and released. There also are entries for family members, buddies, and different folks vital to Faulkner's biography; ancient occasions, people, and areas; social and cultural advancements; and literary and philosophical phrases and routine. The entries are written by way of specialist members who convey a large diversity of views and event to their research of his paintings. Entries normally finish with feedback for additional interpreting, and the quantity closes with a bibliography and designated index.
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Additional info for A William Faulkner Encyclopedia
Mississippi Quarterly 28 (1975): 317–337. Minter, David, ed. The Sound and the Fury: Norton Critical Edition. 2nd ed. New York: W. W. Norton, 1994. Peek, Charles. ’’ Approaches to Teaching Faulkner’s The Sound and the Fury. Ed. Stephen Hahn and Arthur F. Kinney. New York: MLA, 1996. 68–72. Charles A. Peek ‘‘L’APRES-MIDI D’UN FAUNE,’’ Faulkner’s first published literary work, which appeared in the August 6, 1919 issue of the New Republic, is an adaptation of the pastoral poem L’Apre`s-midi d’un Faune (1876) by Ste´ phane Mallarme´ , leading theorist and poet of the French Symbolist movement.
By December 11, a mere forty-seven days later, Faulkner had finished the novel’s fifty-nine monologues. The initial printing was only 2,522 copies, and the reviews, many of which labeled the book confusing, were no more encouraging than the sales. Faulkner himself once characterized it as ‘‘a little on the esoteric side’’ (1974 FAB 818). However, he also called the novel a ‘‘tour de force’’ on which his reputation could stand, along with The Sound and the Fury, the standard he did not want Sanctuary to shame.
Carol A. Kolmerten, Stephen M. Ross, and Judith Bryant Wittenberg. Jackson: University Press of Mississippi, 1997. 99–114. Pinsker, Sanford. ’ ’’ Topic 23 (1972): 35–51. Utley, Francis Lee, Lynn Z. Bloom, and Arthur F. Kinney, eds. ’’ New York: Random House, 1964. Zender, Karl. ’ ’’ Faulkner Studies 1 (1980): 91–99. Stephen Hahn BEAR, THE (film), the 1980 screen version of Faulkner’s story produced by Barr Films and directed by Bernard Wilets, offers an adaptation that highly recommends itself in a number of respects.