By Sigmund Freud
A suite of a few of Freud's most famed essays, together with "On The creation of Narcissism", "Remembering, Repeating and dealing Through", "Beyond the excitement Principle", "The Ego and the identity" and "Inhibition, Symptom and Fear".
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Additional resources for Beyond the Pleasure Principle: And Other Writings (Penguin Modern Classics)
Is it possible that the narcissist is simply an illusion sustained by the lover, the one who wants the old perfect archetypes to reappear in life, and will work to create them out of whatever promising material comes to hand? To Freud, we weave our dreams whenever we have the chance, awake or asleep. Can't narcissists themselves fall under the spell of others, and be turned into dependent or anaclitic lovers by the presence of this or that more apparently self-contained and self-delighting being?
The way to live beyond delusion, for Freud, is to achieve sceptical distance from one's desires – though without ever suppressing them. Can we ask for more than this? Is it possible to conceive of love and power in ways that, while taking Freud's strictures seriously, still propel us past the ethics of irony and renunciation that Freud overall commends? I think so. Though, to be sure, there are risks in such a quest: as Freud always insisted, the better is often the enemy of the good. Freud derided civilization for asking too much of people.
Hal's humour contracts and reduces. He skewers people on the point of a word, insisting that all that matters about Falstaff can be summarized in his rather self-serving use of one word, ‘instinct’, or that Frances, the apprentice tapster, is no more than a walking linguistic hitch, the infinite repetition of the word ‘anon’. Hal tries to force people back in the direction of repetition, because that is where he can know and manipulate them. And, Freud would say, because back to repetition is where they, and we, all wish to go.